If there’s anything I really like about covering indie films, it is that indie films are where you need to look if you want to keep pace with trends in original storytelling.
Picking up on where “Damages” left off in dealing with Ponzi scheme artists is screenwriter/producer R. Ellis Frazier who has assembled quite a cast for his feature directorial debut, The Exodus of Charlie Wright. Aidan Quinn will star, with Andy Garcia, Luke Goss, and Mario Van Peebles in supporting roles.
The story centers on Charlie (Quinn), a Los Angeles billionaire financial whiz who goes into self-imposed exile in Tijuana after his empire is revealed to have been a Ponzi scheme. While looking for the woman he abandoned there 25 years before, Charlie is pursued by a Mexican gangster (Garcia), a federal agent (Van Peebles) and thugs sent by a former client (Goss) looking to retrieve his money.
Whereas “Damages”—which I am still slogging through on DVR, so if you spoil it for me, I will gladly kill you—is very firmly empathetic towards Ponzi scheme victims, by having his protagonist be the schemer I’m wondering exactly just how Frazier will be able to make his story palatable enough for studio heads who may have lost money in Bernie Madoff’s scheme which was revealed in March 2009 and which victims included such Hollywood luminaries as Stephen Spielberg and his Wunderkinder Foundation, Dreamworks CEO Jeffery Katzenberg and Kevin Bacon and Kyra Sedgwick.
Before the top prize at Cannes, the Palme d’Or, was won by Thai director Apichatpong Weerasethakul and his film called Uncle Boonmee Who Can Recall His Past Lives on Saturday night, a flurry of activity sealed the deal for more indie films to get distribution here in the U.S., according to The Hollywood Reporter‘s Risky Business blog:
Altitude: Canadian comics artist Kaare Andrews (Astonishing X-Men) is the director of this supernatural thriller which pits a group of teens in a private plane against an unseen horror which threatens to ground them for good. Featuring Jessica Lowndes from the new “90210” series, Anchor Bay Entertainment picked up the U.S. distribution rights.
Des hommes et des dieux (aka Of Gods & Men): Sony Picture Classics nabbed the U.S., Australia and New Zealand distribution rights to this “based on a true story” film about Catholic monks lead by Lambert Wilson (the Merovingian in the two Matrix sequels) whose decision to stay within the increasingly dangerous Algerian countryside eventually cost seven of them their lives in 1996. Written/directed by Xavier Beauvois, the film also took home the Grand Prix.
Kaboom: The first-ever Queer Palm-winning (yes, I know, but that’s what the award is called) feature from indie darling Gregg Araki stars Thomas Dekker (“The Sarah Connor Chronicles”) as a freshman who trying to enjoy his first year in college (and his hot roommate named Thor) who stumbles into a freaky mystery after witnessing the murder of a mysterious redhead…or does he? It’s been picked up by IFC Films to be released sometime this year.
The Princess of Montpensier: A French film by Bertrand Tavernier, it revolves around an heiress (Mélanie Thierry) and the various men who fall in and out of love with her against the backdrop of a war-torn 16th century France. It’s based on the eponymous public domain novel, and will be distributed by IFC Films in the U.S. after its release this November in France.
Somos lo que hay (aka We Are What We Are): Just in case you ever wanted to feel empathy towards cannibals, screenwriter/producer Jorge Michel Grau’s directorial debut might be right up your alley as it revolves around a destitute family who only eats humans to survive, not because it gives them any particular pleasure. The horror/dark comedy has also been picked up by IFC Films for distribution.
Though I am quick to enjoy a good “nerd rage” on the idea of yet another remake or readaptation being announced, I do have to say that the news that there will be a remake of the Patrick Swayze/Demi Moore 1990s hit Ghost is making me just a little bit giddy–because it’s going to be in Japanese.
From Cinema Today.jp and Nippon Cinema.com—and our friends at Japanator.com—comes the news that Paramount Pictures Japan and Shochiku have handed over the reins of the Japanese remake to live-action drama director Taro Otani (“Gokusen”), and it sounds like they’re fast-tracking it, too with shooting to begin this June with a release in the fall. Taking on the Swayze role will be Korean actor Song Seung Hun while Japanese actress Nanako Matsushima will be stepping into Moore’s shoes.
No word on whether or not producer Takashige Ichise (The Grudge) will be getting an Okinawan-style comedian to play the Whoopi Goldberg role.
Once off-track due to a problem in lead actor scheduling, the Anna Faris comedic vehicle What’s Your Number? may be back in the pipeline, thanks to Dave Annable. In a Hollywood Reporter exclusive, Borys Kit noted that the “Brothers and Sisters” star was in negotiations to start opposite Faris as her dream guy.
The synopsis of the film goes like this: “Number centers on a woman (Faris) who treks through her sexual past to find Mr. Right, exploring the idea of sexual quotas and whether such numbers matter.”
Number is adapted from Karyn Bosnak’s 20 Times a Lady by screenwriters Gabrielle Allan and Jennifer Crittenden; Mark Mylod is the director. Also in the cast and previously announced are Joel McHale (“The Soup,” “Community”) who will be playing Faris’ boss, whom she sleeps with and which encounter kicks off the entire search.
As a woman, I find it very difficult to “bring teh funny” as it were, and any time someone laughs at anything I say or write, it always gives me a little thrill. That’s why I really appreciate female comic actresses like Anna Faris because she’s able to be funny and pretty at the same time in movies that while aren’t my typical cup of tea, I’m not going to outright dismiss because one should always be open to the possibility of enjoying something outside one’s comfort zone.
Also, in doing research for this article, I think I’ve fallen in love a little with novelist Karyn Bosnak, whose blog entry about Joel McHale’s addition to the cast you can find here and contains this enthusiastic endorsement of the leading lady:
As for Anna Faris… Now, I’m not just saying this to kiss ass, and if she was only so-so during the reading I would gush about how cute she is (which she is—she’s petite and gorgeous), but my God… she is so freaking talented. With all due respect to the amazing supporting cast, Anna Faris could be in this movie alone talking to plants and it would still be freaking awesome. I mean, she owns this character and drives this script. Like, anyone could read it aloud and it would be funny. But when Anna reads it, she brings an element to it that you just can’t write. It’s like magic. She’s like magic.
For Bosnak’s sake, I really hope that this movie does well, and not just because she’s a fellow New Yorker transplant.
In an exclusive from Borys Kit at The Hollywood Reporter‘s Heat Vision blog, Anthony Hopkins is in final negotiations to play the villain in The Arabian Nights.
Hopkins’ role will be that of “Pharotu, an evil sorcerer who killed Sinbad’s love, a mermaid, and is looking to amass more magic for himself.” And since previously announced star Liam Hemsworth will not be playing Sinbad, this makes me wonder if the plot of this movie will feature numerous villains, one for each member of the Hitchhiker Heroes.
At our monthly midnight screening series at the Landmark Sunshine in New York City, two of the other GeekingOutAbout.com writers and I were talking about what happens when novels are adapted into movies and the old chestnut about how short stories make the best movie adaptations (Minority Report, Stand By Me).
I firmly believe that it’s just as tough to adapt mythology into a movie, and its $432 million worldwide gross aside,Clash of the Titans—and its original—is only enjoyable as a movie if you completely turn off your brain when it comes to everything you know about the original source material.
Which makes it hard for us geeks to enjoy a movie sometimes, but hey… there are some prices that are okay to pay.
Well, at least according to this YouTube vid-maker, they are:
Normally I wouldn’t take such a piece of video from an account that was created just days before a video is uploaded as truth, but just as I had to click on the April Fools’ Day “black Star Wars” video, I had to check out this story about the World of Warcraft actors because I’ve been a voice actor fan ever since I was a young geek in Southern California.
Living that close to the Hollywood movie and TV machine, I got to attend a lot of voice acting panels when I went to anime conventions and actually got to know some of them better as people rather than “celebrities.” When I moved to New York City, I found that though the scene was a little different, the people were the same: hard workers who had a talent for sounding like something other than what they appeared to be.
And to be perfectly honest, I ended up working with many voice actors from both coasts and Texas in my roles as a journalist and as a guest coordinator for two anime conventions, so my perspective when I see a video like this may be a little different from any other person’s.
The thing that struck me was vid-creator Mr Oilsoap‘s claim that all of the Hollywood voice actors are professional actors who work within a union while actors in New York and Toronto, Canada are not. I can definitely tell you that over a decade of attending anime voice over panels has taught me that even Hollywood has had its variances regarding the employment of union actors versus non-union actors in a production; try getting California voice actors Steve Blum (Spike Spiegel from “Cowboy Bebop”) and David Lucas (Onizuka from “Great Teacher Onizuka”) in the same room at one time.
The other claim was that the Hollywood actors were “recognizable to anyone who watches films or TV,” and I have to add that it’s probably only a voice actor fan or geek like me who would know or care that the voice of Prince Kael’thas Sunstrider in Warcraft III and The Burning Crusade expansion is none other than Quinton Flynn, the voice of Iruka in “Naruto” and “Naruto Shippuden” or that Debi Mae West is not only Maiev Shadowsong in Warcraft III and The Burning Crusade but more importantly, is Meryl Silverburgh from the Metal Gear Solid games.
Still, it was an interesting vid, so I showed it to an old contact of mine… and the response I got surprised me.
My source within the industry wasn’t surprised that I’d seen the vid because it was something that had come to his/her attention as well along with a Playbill.com notice from a reputable casting firm in New York looking for:
Actors ages 25-55 years old to voice various roles for World of Warcraft video game. Actors must be skilled in accents — especially British and New York — among others.
“We’re not entirely sure of the details ourselves, but it just looks like a general WoW casting call. WoW adds content all the time. Everyone has been attempting to reach their various counterparts for confirmation,” my source said, adding, “To be fair, It’s not unusual for the actors to be the last to know.”
Why such a claim would surface when prominent WoW blogs like WoW.com and MMO-Champion.com haven’t picked up this story smacks of something fishy, and you can be assured that I’m going to try and get to the bottom of this.
Special thanks go out to Mattias, a human paladin, and Korixa, a gnome warlock, from the Guardians of Fire on the Elune U.S. server for additional research and support for this article.
If you’re a geek of a certain age, then you definitely remember the movie your parents may have taken you to where someone who sounded like Gonzo attacked an elf. (Whoops, spoilers?)
That movie was called The Dark Crystal, and as a young girl, I was confused by it because some of the voices I loved on “The Muppet Show” were coming out of bodies that were hunched over, vulture-shaped, and decidedly not silly or chicken-loving.
It wasn’t until I began my “geek awakening” in my teens that I learned that the Jim Henson Co. created the movie in 1982 to showcase their talents as puppeteers and legitimate storytellers, and would do again in 1986 with Labyrinth, and again in 1999 with “Farscape.”
It’s enough to make me wonder why puppeteers are so darn touchy about their craft.
Anyhow, the folks at the Jim Henson Co. are at it again, for Pip Bulbeck at The Hollywood Reporter confirmed the news that Daybreakers directors Peter and Michael Speirig will be heading up a sequel to that original 1980s film to be called Power of the Dark Crystal.
Partnered in the production will be Australian company Omnilab Media who have had their hands and wallets into such productions as Where the Wild Things Are and the upcoming Tomorrow, When the War Began. They’re bringing their own special effects house Illoura to the party, and giving them the control of the CGI elements.
The plot of the story, written by Australian Craig Pearce (Moulin Rouge!, Charlie St. Cloud) from an original script by Annette Duffy and David Odell, will go like this:
Set hundreds of years after the events of the first movie when the world has once again fallen into darkness, Power of the Dark Crystal follows the adventures of a mysterious girl made of fire who, together with a Gelfling outcast, steals a shard of the legendary crystal in an attempt to reignite the dying sun that exists at the center of the planet.
That kinda has me confused, because my quick refresher trip to Wikipedia noted that there were three suns which while in conjunction created the event which restored peace and harmony to the Crystal planet; now there’s a fourth sun inside the middle of the planet? I guess it’s just something I’ll have to overlook if I want to see Gelflings again (and I do).
No word yet on exactly when production will commence.
In an exclusive report on The Hollywood Reporter‘s Heat Vision blog, Borys Kit revealed that Sam Rockwell will be playing a beefed up role in the live-action adaptation of Cowboys and Aliens, directed by Jon Favreau.
The story about the part he’s going to be playing is pretty interesting, too. See, Favreau also directed a little movie called Iron Man 2, in which Rockwell is playing one of the antagonists. The instant that he and the Cowboys writers learned that Rockwell was interested in playing the barkeep Doc, they instantly changed the role from being a big heavy-set dude to being someone a little more Rockwell-shaped and changed the character’s personality and motivation a little bit as well.
Already cast in the movie are Daniel Craig, Olivia Wilde and Harrison Ford; filming starts in June.
According to Gregg Kilday at The Hollywood Reporter, the latest buy was for a film called The Impossible, which will star Watts and Ewan McGregor in a story that’s based on some real-life events that took place during the 2004 tsunami that hit Thailand. The film will be directed by Juan Antonio Bayona from a script by Sergio G. Sánchez for two Spanish companies, Apaches Entertainment and Telecino Cinema, who are acting as co-producers.
Looking around at the various websites who also reported on this news, it doesn’t look like anyone from Summit, Apaches, or Telecino wants anyone to know exactly what the film will be about because there isn’t a more detailed synopsis available, not even over at Deadline Hollywood.
Filming will begin in August in Alicante, Spain before moving to Thailand in October; hopefully, we’ll have more concrete news by then.
If there’s anything I’ve learned from my Australian friends, the most important of all is that it’s a country that does have its own ideas and ideals, and has a unique identity and cultural touchstones that I will only begin to understand.
My friends’ ensuing glee over this trailer is proof-positive of this:
Australian teenager Ellie and six of her friends return from a winter break camping trip to find their homes burned or deserted, their families imprisoned, and their country occupied by a foreign military force in league with a band of disaffected Australians. As their shock wears off, the seven decide they must stick together if they are to survive.
The film was adapted by Stuart Beattie (Collateral, G.I. Joe: The Rise of Cobra) who will also be making his debut as a director. The lead character in the book, Ellie Linton, will be played by Caitlin Stasey who is best-known for a long-running role in “Neighbours,” an Australian soap opera.
Now, before all of you readers in the U.S. start screaming, “This is a Red Dawn rip-off!” I do have to point out that there are 9 novels in what’s known as the Tomorrow series and its spinoff The Ellie Chronicles, and that an entire generation of young adults who devoured the books have been waiting almost two decades for this adaptation. Besides, Beattie already addressed this concern back in June 2009 when his involvement was first-announced:
“I don’t want to make Red Dawn, ” said Beattie, though he admits to liking the movie that MGM is in the process of remaking. “Do you remember when The Full Monty and Striptease were coming out together? They came out within months as the exact same premise—the parent strips for money so they can see their kid. But completely different. One was all flash and rockin’ body, and the other was completely the opposite, of total insecurity about getting up onstage. We’re more like the Full Monty version.”
Tomorrow will be released on September 2 in Australia and New Zealand; no word yet on any other foreign distribution dates.
When I was a little girl, one of my favorite shows was “The Dukes of Hazzard.” Like any good “Dukes” fan, I’ve gleefully repressed the Coy and Vance years, mostly to focus on the good clean fun of watching Bo and Luke Duke foil the corrupt mayor and become the secret justice-seekers in their county.
It’s no surprise, then, that I’d follow the post-Hazzard careers of the actors with some interest, which makes this news about John Schneider’s next feature film most unusual.
According to The Hollywood Reporter, Schneider who left the show “Smallville” after its 100th episode will be starring in a movie called Doonby; the plot goes like this:
In the feature film, John Schneider stars as Sam Doonby, a happy-go-lucky drifter who takes up residence in a small Texas town but seems suspiciously immune to the misfortunes that beset the other townsfolk.
Reporter Paul Bond adds that the film will take elements from It’s a Wonderful Life and Crazy Heart to create something new; however, what it really sounds like to me what they’re doing is more in line with Being There.
Doonby will be directed by British filmmaker Peter Mackenzie, who also wrote the script, and Robert Davi will be playing the town’s sherrif. A quick search to see what other films Mackenzie had worked on brought me to the film’s website and I have to admit that based on its unsophistication, I wonder exactly how low-budget this production will be (or if that’s even the movie’s real website).
Filming will take place at Spiderwood Studios near Austin, Texas.
Ever since the Cold War broke out between the U.S. and Russia, Hollywood has had a fascination with international espionage and the CIA, a government agency whom conspiracy theorists love because they can blame them for almost everything.
New York Times magazine investigative journalist Peter Landesman is no exception, and his latest venture into film making is proof-positive of this. According to an exclusive from Jay A. Fernandez at The Hollywood Reporter, Landesman and producer Brad Weston (Bad Santa, Patriot Down) have sold a pitch to Graham King who will produce under his GK Films banner.
And even though Fernandez wasn’t able to get a logline out of them, I’m still fascinated by the idea behind the story:
“As someone who glanced against the world of spies as a journalist, I wanted to be surprised again,” Landesman said. “The operative and intelligence world is a layer cake: the deeper you go, the more covert, the more dangerous.
“The spy genre has tapped most layers, but as an investigative journalist, I began to get wind of one that remained elusive: a layer of operative and intelligence gathering that is virtually without oversight, directed by a small handful, who do things no one will hear of, occasionally at cross-purposes with agencies like the CIA. The DNA of this film is pulled from that world.”
Advising Landesman on the production as a consultant is former CIA officer Robert Grenier who during his career was assistant deputy director of the CIA for counterterrorism and an undercover field agent in Pakistan and Afghanistan, adding that extra layer of verisimilitude.
There’s just something about spies that sparks the romantic imagination because of the secret nature of their work. There’s also the fact that the work is mostly nationalistic in nature, because almost everything a spy does is done largely to promote one nation’s interests over another’s.
I remember one afternoon while I was hanging with one of the future staff writers to this blog where we had a two hour conversation/debate over how the the fictional intelligence community in “Burn Notice” works, thanks to our having finally watched the Season 3 finale (beware of possible spoilers). My point was that it didn’t make sense to me that for someone like Michael Weston who was so dedicated to their work for so long to have been so easily set up by Management and that the rest of the intelligence community truly believed that he was a bad guy just didn’t make sense at all.
To hear that an upcoming film is going to feature details about how real intelligence works and to showcase something new in a spy movie? That just makes me giddy with glee.
No word yet on whether Landesman will be writing his very first script or if they’ll tap someone else to do it.
Ever since he stepped away from the Footloose adaptation,High School Musical graduate Zac Efron hasn’t been on my radar much because I’m a grown woman whose fictional crushes aren’t on guys who are 10 years younger than I am (mostly). However, the news of what Efron has decided his first self-produced movie will be has got me very intrigued.
From The Hollywood Reporter‘s Heat Vision blog comes the exclusive news that Warner Bros. picked up the rights to the remake of a Swedish film called Snabba cash—which translates into “easy money”—as a vehicle for Efron and the production house he’s gotten set up with them. Based on the original novel by Jens Lapidus, Efron would play Johan Westlund, a young financial wiz who looks to maintain his free-wheeling lifestyle by becoming a drug runner for a coke dealer.
The best part of this deal can be found here:
The deal, in the high six figures, has a progress to production, or “short fuse” clause, which means that if Warners sits on it for too long, the rights revert back to the producers.
I can only imagine how great that would feel for someone who’s selling their remake rights to know that if they take too long to do something with your property, you’ll get the rights back sooner rather than later.
Unlike the bloggers at the L.A. Times, I’m not convinced that the quick pick-up of Snabba‘s remake rights is a harbinger of a slew of Swedish crime films waiting to wing their way over to the states. I am then quickly reminded of the fact that after The Ring hit the U.S. shores like a tsunami, studios rushed to remake and/or re-release scores of Japanese horror films because they were just that different enough from what we’ve seen to be new (to us) again.
When I was recently out on the town and killing time before a midnight screening of The Neverending Story with two of my future writers for this blog, we were killing time in a Best Buy when we passed a guy who was wearing a “Joss Whedon is my Master Now” T-shirt. He was duly fist-bumped as we turned for the double-take, and my geek heart grew one size larger.
Now, I fear that my Whedon-loving heart is exploding—and not entirely from boundless excitement. While I was toiling away in the trenches yesterday, Variety confirmed an April Fool’s Day IESB.net exclusive report that the Serenity director and Wonder Woman screenwriter would be directing The Avengers for Marvel Studios.
Marc Graser at the paper trade noted that part of the negotiations included Whedon taking a pass at the script which was previously written by Zak Penn. The core cast is set with Chris Evans taking on the Captain America role, Robert Downey Jr. as Iron Man, Samuel L. Jackson as Nick Fury and Chris Hemsworth as Thor.
There’s no word yet on who will be taking on the Hulk role or if any of the many women who have been Avengers over the years will be in the movie, but considering that Whedon’s muses have mostly been female, I’d be surprised if the Scarlet Witch didn’t at least make the cut.
I will be perfectly honest and say that my love for Whedon’s work peaked with “Dr. Horrible’s Sing-Along Blog” and foundered with “Dollhouse.” Like the guys at Penny Arcade, I only found bits and pieces of the TV series fascinating but didn’t like it enough to continue watching after the sixth episode.
Just as most newly announced these days, I’m being cautiously optimistic that it will be good—and bracing myself for a reality where a Whedon-helmed Avengers won’t be good.
It looks like the Footloose movie adaptation is cursed as Chace Crawford’s reps confirmed to reporter Nicole Sterling that the “Gossip Girl” star would no longer be appearing as Ren McCormack, the rebel dancer with a heart of gold and hips of steel. Sterling’s own sources claim that the “GG” series is the culprit and not the loss of Kenny Ortega. “Dancing With the Stars” golden girl Julianne Hough is still on track to be the female lead… this week, that is. (Source: EW.com)
And speaking of Kevin Bacon, he’s joining the cast of Steve Carrell’s untitled comedy about divorce as an “alpha male” character who has an affair with his wife, Julianne Moore. The movie begins shooting later this month. (Source: The Hollywood Reporter)
Finally, as one of the “new media” bloggers but also as one who wanted (and still wants) to break into “dead-tree” journalism, I’m not sure what to think about this opinion article by Howard Kurtz which speaks briefly about the differences between an accredited movie/literary/restaurant critic and Joe/Jill Average blogger because I can’t take a side just as the writer can’t.
As a writer, I know that in order to be able to be a better one, I need to read as much as I can and I don’t necessarily have that kind of time. But someone who reads for a living and can take the time to do the research and explore all the avenues is going to be better than I am at determining whether or not something is good or great. This requires more thought. (Source: The Washington Post)