Category: Trailers

Trailer Watch: X-Men: Days of Future Past

Piggy-backing on my comments from last week, if I were a more ardent fan of the X-Men comics, I’d be rightly pissed off that instead of Kitty Pryde being sent back to her younger self to warn the X-Men of 1980 of a horrific war that would spell the end of mutantkind, they chose to use Wolverine. However, I’ve come to accept that the Marvel Cinematic Universe is its own continuity and it’s okay.

While some of the shots in the trailer look gorgeous, I have to wonder if in order to watch the movie, you need more than just a Wikipedia-fed knowledge of who the X-Men are. There were people in the scenes in the “past” that I didn’t recognize and if I have to watch X-Men: First Class just in order to understand this movie and it’s not available to stream on Netflix, then I’m probably not going to bother.

The iTunes price is $14.99, which to me seems steep for a title that isn’t even in HD. And both Marvel Studios and Fox are crazy if they can’t find a way to bring that price down a bit before the new movie comes out or maybe do a limited streaming on Netflix or somewhere else for a month or two prior to the new film’s release so that the fans they lost with X-Men 3 (like me!) can get back up to speed.

Directed by Bryan Singer, X-Men: Days of Future Past is scheduled to be released in the US on May 23, 2014.

Trailer Watch, Pass or Fail edition: Machete versus The Social Network, plus a bonus trailer

Good Lord, we’re behind on our movie trailers, aren’t we? Let’s get down to it, then!

I had to watch this at the office with the sound turned off, which means that I had to completely imagine the overblown narration that probably accompanied this latest Machete trailer. Given that Grindhouse was not a box office success—$25 million total gross versus a $67 million budget—I can understand that the official studio trailer isn’t gonna have that awesome grindhouse feel which got the entire film greenlit to begin with.

Doesn’t mean it’s not a stupid trailer, though. So while the official trailer gets a fumble, me and my friends are still going to see this movie in U.S. theaters this fall on September 3.

Related Posts: Trailer Watch: “Illegal” Machete first trailer, 20th Century Fox picks up a Machete, Robert Rodriguez to bring Predators, Machete to the big screen

For a movie that’s your typical “Young guys stumble into brilliant invention, but money comes between their friendship”-flick like The Social Network seems to be flogging, I can’t help but think about other movies like Tucker: The Man and His Dream (1988) or even Pirates of Silicon Valley and wonder exactly what is going to make this film stand-out from the pack.

If the only thing it has going for it is Aaron Sorkin putting words into Mark Zuckerberg’s mouth, then I think I’m going to give this one a pass. Directed by David Fincher, The Social Network is out in U.S. theaters on October 1.

Related Posts: Aaron Sorkin’s Facebook movie gets a title, cast, Aaron Sorkin Wants to Be Facebook’s Friend

Finally, props and kudos to Rick Marshall at MTV’s Splash Page blog for posting this exclusive 30 second teaser from the animated adaptation of comics creator Eric Powell’s The Goon, part of a longer section of film that will be shown this coming Friday—which will also be exclusively shown at the MTV blog directly after the panel ends at 7:00 pm EST.

Featuring the voice of Paul Giamatti as Frankie and directed by David Fincher, hopefully we’ll learn if and when the movie will get a release date at the panel.

Trailer Watch: The Norwegian Ninja first English-subtitled trailer

To all you schlocky film fans out there, I heartily apologize for not mentioning anything about this sooner:

Here’s the synopsis, courtesy of the gang at TwitchFilm.net:

Kommandør Treholt & Ninjatroppen is the true story of how Commander Arne Treholt and his Ninja Force saved Norway during the Cold War. The story takes place in the time right before Treholt’s arrest on espionage charges in 1984, and reveals a spectacularly different version of our recent past than has been previously known.

A mix of true story and unabashed flights of fancy, the movie will premiere in Norway on August 13. An English-language blog is here, and I really hope someone decides to release this in the U.S.

Trailer Watch: Tomorrow, When the War Began first official teaser

If there’s anything I’ve learned from my Australian friends, the most important of all is that it’s a country that does have its own ideas and ideals, and has a unique identity and cultural touchstones that I will only begin to understand.

My friends’ ensuing glee over this trailer is proof-positive of this:

The official synopsis of the original novel by John Marsden goes like this:

Australian teenager Ellie and six of her friends return from a winter break camping trip to find their homes burned or deserted, their families imprisoned, and their country occupied by a foreign military force in league with a band of disaffected Australians. As their shock wears off, the seven decide they must stick together if they are to survive.

The film was adapted by Stuart Beattie (Collateral, G.I. Joe: The Rise of Cobra) who will also be making his debut as a director. The lead character in the book, Ellie Linton, will be played by Caitlin Stasey who is best-known for a long-running role in “Neighbours,” an Australian soap opera.

Now, before all of you readers in the U.S. start screaming, “This is a Red Dawn rip-off!” I do have to point out that there are 9 novels in what’s known as the Tomorrow series and its spinoff The Ellie Chronicles, and that an entire generation of young adults who devoured the books have been waiting almost two decades for this adaptation. Besides, Beattie already addressed this concern back in June 2009 when his involvement was first-announced:

“I don’t want to make Red Dawn, ” said Beattie, though he admits to liking the movie that MGM is in the process of remaking. “Do you remember when The Full Monty and Striptease were coming out together? They came out within months as the exact same premise—the parent strips for money so they can see their kid. But completely different. One was all flash and rockin’ body, and the other was completely the opposite, of total insecurity about getting up onstage. We’re more like the Full Monty version.”

Tomorrow will be released on September 2 in Australia and New Zealand; no word yet on any other foreign distribution dates.

Trailer Watch: Boondock Saints 2: All Saints Day

If you were to do a Google search for Troy Duffy’s name and the words “cautionary tale” you’d find several pages recounting the story of how a young unknown got the chance of a lifetime when he sold the script to The Boondock Saints to Miramax, managed to become the film’s director, got his band’s music in the film, and then proceeded to alienate everyone who championed him by being a dick. (In fact, that very story is also the subject of a 2003 documentary called Overnight.)

However, either an angel or a saint must have been watching over Duffy—or maybe he just learned his lesson—because 10 years after the release of the original film which did poorly in the box office but gangbusters in home video sales, Duffy, his two leads Sean Patrick Flanery and Norman Reedus, and others are back in Boondock Saints 2: All Saints Day.

Furthermore, Anne Thompson (who’s now writing for Indie Wire) has reported that the film has been picked up by Apparition for distribution alongside a deal that he struck with Sony Worldwide Acquisitions to release Saints 2 on October 30 as well as some other films.

Says Thompson of the film’s plot:

This time the brothers [McManus] come out of hiding to avenge a beloved priest who was hit by the Mob. Clifton Collins and Julie Benz join the ensemble.

Check out the red-band trailer here:

Related Posts: Peter Fonda, Judd Nelson join cast of Boondock Saints 2

Pinoy Pic Ploning in Running for Best Foreign Film Nomination

PloningPhilippine director/screenwriter Dante Nico Garcia is getting his shot at the big time thanks to the special committee of the Film Academy of the Philippines which has chosen his first film Ploning to be the island nation’s official entry into the running for the Academy Awards Best Foreign Picture award. (Source: Variety)

From the very long-winded synopsis on the movie’s official website, it looks to be one of those very quaint and somewhat mystical films about a small community that’s tied together by a mysterious beautiful woman — like Chocolat, but on the Pacific Rim. Inspired by a folk song by the same name, the movie is an homage to the women in Garcia’s life, “his mother, his grand mother, his surrogate mother in the island, and his best friend [lead actor] Judy Ann Santos.” For a more detailed look and review of the movie, check out the last entry in the official production blog, written on May 31 after the press screening:

It was [during a pivotal scene] that the rest of the movie had blurred for me. I could no longer see through my tears, I was racked with emotions swirling inside me and around me, and I was so thankful I was beloved of God that I was being paid to watch this movie and He gave me two Krispy Kremes to boot.

This message has been brought to you by the only U.S.-based movie blog written by entirely by two people of Filipino descent.