Tag: Todd Haberkorn

Trisha’s Take: Analysis of a rape allegation

[Editor’s Note: Before I start, I’d like to preface this by saying that I was acquainted and friendly with both the accuser and the accused while I was first a guest relations, then publicity staffer at an East Coast anime convention from about 2004 to 2008. Until recently, I had not spoken or corresponded with either of them since I left New York City in 2012. Any and all opinions are my own unless otherwise stated, and all anonymous sources shall remain confidential.]

A question I never want to need to ask ever again. © Geeking Out About
A question I never want to need to ask ever again. © Geeking Out About

If you’re into geek feminism and women’s issues, it’s been an interesting couple of years. Recently, we had the debacle at the TechCrunch awards ceremony, the Gamergate saga in the video game world, the first-person account of how to report sexual harassment at a science fiction convention, and the reveal that a prominent sci-fi/fantasy author participated in abusing her own child.

Each time I read another report, I thought to myself, “Well, that’s truly horrifying, but I don’t think things like that have happened in my anime fandom.”

That is, until now.

Two days ago, I woke up to see mentions of a Facebook post where someone whose name wasn’t immediately familiar to me accused someone else I knew of rape. The post from Amber Marie Frazier read in part:

I was raped last year at Anime Boston by Tom Wayland. I trusted him, as a friend, colleague, and a guest [whose] needs I was charged with taking care of. That is why you have not seen me around, and when you have I have been so different. That is why I am not doing anime shows or anything that involved crowds.

Frazier continued:

I wanted to tell all of you for two reasons. First, because you all know and love me, and you are not fools, and have noticed there is something wrong. I need your love and support if I am ever going to be anything like the woman you knew before. Secondly, so you can TELL EVERYONE. If you don’t tell everyone, he can do it again to someone else who trusts him. I have reason to believe that I am not the first, but I will be the last if I have anything to do about it.

According to Frazier, Anime Boston was made aware of her accusation and they’re not allowed to publicly comment. She also confirmed that they removed him from their list of invited guests. Interestingly, she also stated that she would share the information which she had told to Anime Boston and the police, but cautioned people against wanting to know that amount of detail. The last statement was the most interesting of all:

Don’t worry about slander or libel, I checked with my lawyer, and it is only that if it is not true.

My first reaction was, “Oh my God.”

My second reaction was, “Well… under certain circumstances, I think I can see how that could happen.”

Trisha’s Take: “Star Trek Continues: Pilgrim of Eternity” review

Star Trek Continues Pilgrim of EternityStar Trek Continues – “Pilgrim of Eternity”

Directed by Vic Mignogna
Written by Steve Fratt and Jack Trevino
Story by Vic Mignogna and Jack Marshall
Starring Vic Mignogna, Todd Haberkorn, Larry Nemeck, Chris Doohan, Grant Imahara, and featuring Michael Forrest
Rating: This series is suitable for all-ages.

As a bit of a disclaimer, I was never really into the Star Trek franchise as a young geek. The Original Series was long gone before I was born, and since my parents aren’t into fiction that strays too far from reality, I didn’t watch “Star Trek: The Next Generation” with my parents, like many of my fellow geeks did with theirs. Therefore, when I heard that anime voice actor Vic Mignogna was involved with a project to continue the original serial, I didn’t think too much of the project at first.

At the same time, this is the same Vic Mignogna who produced his own fan-film for Fullmetal Alchemist titled “Fullmetal Fantasy” where he dreams that after receiving a replica State Alchemist pocket watch, he has transformed into main character Edward Elric and that everyday people around him have been transformed into characters from the series; this is definitely a form of meta-fan service as Mignogna is the English dub voice for Edward Elric. According to Mignogna, there were some legal issues regarding his showing it at anime conventions for a while; this ban seems to have been lifted since the short film has now shown up on Mignogna’s concert DVD.

I believe I saw “Fullmetal Fantasy” within the first year of its debut in either 2004 or 2005, and I remember being impressed with how professional it all looked, even to the point of one of the scenes taking place during a rainstorm, one of the most expensive effects to reproduce for filming. After doing some more research on the production staff of Star Trek Continues and learning that Steve Dengler, philanthro-geek extraordinaire was an executive producer, I knew I had to see at least one full episode.

The premise behind Star Trek Continues is that each season of The Original Series contained events which happened during one “year” of the Enterprise’s original five-year mission. Therefore, STC‘s adventures take place during the show’s (and the ship’s) fourth year of adventuring, which means that the crew of the Enterprise on STC is the exact same crew as was on the Original Series. This episode in particular calls back to Original Series episode “Who Mourns for Adonais” by not only bringing back the alien who claimed he was the Greek god Apollo but also Michael Forrest, the actor who originally portrayed the character as well.

In this episode, something has sucked all the power out of station batteries in a particular section of the galaxy and the Enterprise has been sent to investigate. They find a gigantic mass which starts rapidly sucking all the energy out of the Enterprise. Before the ship dies in the middle of space, the Enterprise is able to fire one photon torpedo at the mass, breaking it into pieces—but also causing a greatly aged Apollo and his sister Athena to appear on the bridge.

Apollo is able to eventually explain that his people were able to coalesce together again and had created the great mass in an attempt to recreate the kind of energy they needed to continue their existence, but the experiment backfired on them. Now Apollo is the only member of his race remaining and he requests that Captain Kirk (Mignogna) take him to a planet full of humanoids so that he can die in peace and not alone. Remembering how autocratic and how dangerous Apollo was during their first meeting and after the revelation that Apollo isn’t as powerless as he originally stated, it’s up to Kirk to decide Apollo’s fate.

I was immediately charmed by this episode due to my familiarity with not just Mignogna’s work but by seeing Grant Imahara (“Mythbusters”) as Lt. Sulu, Jamie Bamber (new “Battlestar Galactica”) as a redshirt, hearing the voice of Marina Sirtis as the voice of the computer (originally played by Majel Roddenberry), and knowing that Chris Doohan—the son of James Doohan—is playing Mr. Scott. As the episode played on, however, I found even more to delight me.

Re-casting Forrest as Apollo was a stroke of genius and added a sense of continuity to the new series. I was very much struck by the character and how much dignity Forrest brought to the role. There’s a scene where Apollo is being rejuvenated by entertaining a crowd of off-duty crew in a recreation room (the progenitor to Ten Forward, I assume) and beyond what was done in post-production, there’s an audible and visible change in his voice and posture from when you first see him as a frail, energy-depleted being.

Mignogna as Kirk was somewhat surprising to me as he was less bombastic than Shatner played him and definitely more reflective and passive as a commander. It’s almost as if the spirit of Jean-Luc Picard inhabited James T. Kirk’s body, and made him blonde. It’s definitely going to take me a few more episodes to see exactly how different Mignogna’s Kirk is to Shatner’s or even Chris Pine’s before I can definitively declare whether or not I like it. I will admit that the scene where ship’s counselor Dr. McKennah barges into Kirk’s quarters while he’s topless gave me a giggle, as did the denouement at the end where Kirk is quipping with Spock (Todd Haberkorn) and Bones (Larry Nemeck).

As far as the other roles go, Haberkorn seemed subdued as Spock, and both Doohan and Nemeck were wonderful in their roles as Mr. Scott and Dr. McCoy, respectively. I think I’d want to see more episodes before I decide whether or not I like Imahara as Sulu, Kim Stinger as Lt. Uhura and Wyatt Lenhart as Ensign Chekov.

The faults that I have with this production are that the audio mix seemed too soft most of the time and I kept losing Bones’ more soft-spoken dialogue. I also have a problem with the aforementioned scene in the recreation room; why did it take so long for the emotionless Mr. Spock to notice that Apollo was enthralling his human audience? And why didn’t he react when Apollo was threatening Kirk? The resolution to the central issue also feels like it borrows too much from Christian mythology as well as perhaps Monsters, Inc. as well.

Finally, there’s one more possible problem with Star Trek Continues: There is already another webseries which details the continuing adventures of the crew of the Enterprise called Star Trek: Phase II which started production in 2003. While I haven’t seen a full episode of that series yet, it also features cameo appearances by Original Series cast members reprising their roles such as George Takei, Walter Koenig, and Grace Lee Whitney. STC even boosted their Uhura from Phase II, as Stinger is credited as playing Uhura on the Phase II episodes as well. It sounds like there’s an interesting story behind this, and as someone who enjoys fan-media, I wonder exactly what’s going on as the websites for each production don’t acknowledge the other’s existence.

Still, I wish the cast and crew of STC much luck and hope that future episodes prove to be as fun as this one.


“Star Trek Continues” premiered at this year’s Phoenix Comic Con and this episode as well as three connecting scenes can be seen both online at the website and on its YouTube channel as well.